Study-unit LABORATORY OF EXHIBIT DESIGN
| Course name | Design |
|---|---|
| Study-unit Code | A000316 |
| Curriculum | Comune a tutti i curricula |
| Lecturer | Alessandro Ciammarughi |
| CFU | 12 |
| Course Regulation | Coorte 2022 |
| Supplied | 2024/25 |
| Supplied other course regulation | |
| Type of study-unit | Obbligatorio (Required) |
| Type of learning activities | Attività formativa integrata |
| Partition |
EXHIBIT DESIGN
| Code | A000317 |
|---|---|
| CFU | 6 |
| Lecturer | Andrea Pascucci |
| Lecturers |
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| Hours |
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| Learning activities | Caratterizzante |
| Area | Design e comunicazioni multimediali |
| Sector | ICAR/13 |
| Type of study-unit | Obbligatorio (Required) |
| Language of instruction | italiano |
| Contents | Providing specialist skills in the various fields of application of exhibition design (trade fairs, museums, stage design) Responding to the demands of various clients in different contexts with quality exhibition projects Exhibit design involves various disciplines of architecture, from graphic design to audiovisual engineering, landscape architecture, lighting and interior design. |
| Reference texts | “LA DIMENSIONE ATTIVA DEL PROGETTO - Strategie di allestimento e re-design dello spazio pubblico” / Roberto Bianchi, 2022, Rubbettino Editore “L’EXHIBIT DESIGN FIERISTICO COME PROFESSIONE” / Matteo Calvi, 2021 “EXHIBITION DESIGN STORIES. Metodi e pratiche di fruizione della cultura” / Serena Del Puglia, 2022, Lettera Ventidue Editore “TUTTO QUELLO CHE AVRESTE VOLUTO SAPERE SULLA LUCE, MA NON AVETE MAI OSATO CHIEDERE - Manuale per il progetto della luce” / Rotaliana, 2019, Litografica Editrice Saturnia “Lo spazio dei Castiglioni” / Filippo Lambertucci / Letteraventidue “Allestire per comunicare” / Massimo Malagugini / Franco Angeli “Plant Revolution” / Stefano Mancuso / Feltrinelli “Pensare come Leonardo “ / Michael J. Gelb / Il Saggiatore |
| Educational objectives | ¿The objective of teaching is to provide students with the fundamentals and skills necessary to acquire a design method capable of providing answers to the needs and problems associated with the complexity of exhibition projects. The aim is to demonstrate skills and knowledge of the topics covered Ask the right questions in order to observe and reflect on the relationship between space use and function Develop the ability to analyse and conceive in terms of space, form size, orientation and material To have the ability to gather and interpret useful data for the development of the project To be able to communicate the design idea clearly. |
| Prerequisites | ¿Basic knowledge of drawing, use of three-dimensional modeling programmes, technical drawing dimensioning rules |
| Teaching methods | The course includes face-to-face lectures and individual classroom exercises on the topics covered during the lectures in order to deepen the subject matter and test learning. ¿Seminars ¿Video screenings of lectures Educational outings (visits to exhibitions, fairs) |
| Learning verification modality | The verification of learning will be carried out by means of an oral examination on the dates set out in the examination calendar and includes the handing in of the project deliverables. The examination consists of an interview lasting approximately 30 minutes in which the student must present his or her design idea and project work to the committee. |
| Extended program | The aim of the course is to provide students with a range of specialist skills in the various fields of application of exhibition design.... The lectures of a theoretical and design nature will be conducted in such a way as to provide students with basic knowledge in the following subjects: -analysis of the various forms of exhibition design -museum exhibition analysis trade fair exhibition analysis analysis of general lighting systems stand materials analysis - analysis of general trade fair regulations |
| Obiettivi Agenda 2030 per lo sviluppo sostenibile |
SCENOGRAPHY
| Code | A000318 |
|---|---|
| CFU | 6 |
| Lecturer | Alessandro Ciammarughi |
| Lecturers |
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| Hours |
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| Learning activities | Caratterizzante |
| Area | Design e comunicazioni multimediali |
| Sector | L-ART/05 |
| Type of study-unit | Obbligatorio (Required) |
| Language of instruction | ITALIAN |
| Contents | INTRODUCTION TO THE HISTORY OF THEATER SCENOGRAPHY. PERSPECTIVE - THEATER SCENOGRAPHIC DESIGN STUDY OF ANCIENT AND MODERN THEATER BUILDINGS - SCENOTECHNICAL FEATURES OF THE STAGE - EX TEMPORE THEATER SCENOGRAPHY HISTORICAL DOCUMENTATION |
| Reference texts | BASIC TEXTS, REFER TO THE EXTENDED PROGRAM FOR THE COMPLETE BIBLIOGRAPHY: - Renato Lori, Scenografia e scenotecnica per il teatro - Gremese editore 2014. - Renato Lori, Scenografia e scenotecnica per il cinema - Gremese editore 2016. - Gino Copelli, Manuale pratico di Scenotecnica. Le macchine teatrali - Pàtron Editore 2012. - Bruno Mello trattato di scenotecnica- De Agostini 2009 |
| Educational objectives | - HISTORY OF THEATER SCENOGRAPHIC TRADITION - KNOWLEDGE OF THEATER BUILDINGS AND THEIR TECHNICAL CHARACTERISTICS - KNOWLEDGE OF THE BASIC PRINCIPLES OF THEATER SCENOGRAPHIC DESIGN |
| Prerequisites | UNDERSTANDING ITALIAN LANGUAGE FAMILIARITY WITH TRADITIONAL TECHNICAL DRAWING KNOWLEDGE OF PERSPECTIVE ADVANCED KNOWLEDGE FOR: - AUTOCAD - PHOTOSHOP - SKETCHUP/RINO - PROCREATE |
| Teaching methods | LESSONS - PRACTICAL DESIGN EXERCISES POWER POINT PROJECTIONS ONLINE MEETINGS WITH SET DESIGNERS AND PROFESSIONALS OF THE SECTOR |
| Other information | EX TEMPORE THREE-DIMENSIONAL SCALE MODELS TECHNICAL DRAWINGS |
| Learning verification modality | EXAM FOR VERIFICATION OF THE CONTENTS OF THE PROGRAM PRESENTATION OF DOCUMENTATION MATERIALS AND EX TEMPORE RELATED TO THE SCENOGRAPHIC THEME INDICATED |
| Extended program | General lines of the Scenography program ABPR22 Brief historical study of the theatrical buildings and the staging: - Classical heritage - Renaissance and Baroque - the birth of the Opera - Study of classical Italian theatrical buildings - Study of new technological scenic towers and contemporary theater buildings. - Study of alternative spaces for the theater. Brief introduction to Perspective and its applications in Renaissance and Baroque theater. - Peruzzi, Serlio, Palladio, Scamozzi, Buontalenti, Burnacini, Torelli, Bibbiena, Juvarra. - The nineteenth-century melodrama: Gonzaga and the Italian school of scenography for opera between the 1700s and 1800s. The twentieth-century Italian school - Italian scenographers of the second post-war period: - L. De Nobili - F. Zeffirelli - P. Pizzi - P. Samaritani - L. Damiani - E. Frigerio - Analysis and study of scenographic sketches and fortographic documents of the classical Italian tradition with consequent explanation and study of the compositional elements of the scene. Perspective and design theories - Technique of theatrical layout - Technique of perspective restitution with the following development of the necessary executive drawings. - Classroom exercises on perspective drawing and design - Autocad program from 2016 onwards is required - - The three-dimensional model - graphic or pictorial techniques congenial to the realization of sketches with particular attention to the gouache technique - preparation of paper or other suitable support - mestica of colors - introduction to the various recipes for making tempera After this first part, students will be offered a simple theme to develop independently with the production of sketches and perspective sketches. Historical documentation Great space will be given to historical and iconographic documentation. The documentation will be an integral part of the work presented and will constitute a fundamental element for the overall evaluation. Insights into the practical part of the set designer's work related to the realization - The workshops: - The buildings - Sculpture The decoration - Traditional and modern scenographic materials Traditional scenographic painting - backdrops, main, wings. - Quick introduction to the painting technique. In this regard, for a further and fundamental involvement of students, online meetings are necessary held by professionals who work in the field of scenographic creation such as: - painters / background artists - sculptors / trainers - wood and metal builders - toolmakers - experts in innovative materials and related to plastic backdrops, pvc, etc. etc. Relationships between direction, dramaturgy and scenography Collaboration with the director and the performers Costume and make-up - completion of the scenography The set-costume designers who produce a “unicum” with their creativity, the relationship between set design and costume Hints to the cinematographic scenography and study of the differences with the theatrical one BIBLIOGRAPHY - Renato Lori, Scenografia e scenotecnica per il teatro - Gremese editore 2014. - Renato Lori, Scenografia e scenotecnica per il cinema - Gremese editore 2016. - Gino Copelli, Manuale pratico di Scenotecnica. Le macchine teatrali - Pàtron Editore 2012. - Bruno Mello trattato di scenotecnica- De Agostini 2009 - Corrado Rea, Fondamenti di Luministica - Hoepli Editore. - Franco Mancini , Maria teresa Muraro, e Elena Polovedro; Illusione e Pratica Teatrale – Neri Pozza Vicenza 1975 - Giorgio Ricchelli, L'orizzonte della Scena nei Teatri - Hoepli Editore. - Franco Perrelli, Storia della Scenografia – Carocci Editore. - Gianni Rondolino – Storia del Cinema – Utet-Libreria - Peter Brook – Il teatro e il suo spazio - Ferruccio Marotti – Lo spazio Scenico – Bulzoni Editore - Moussinac – Il Teatro dalle origini ai giorni nostri - Bibilioteca Universale Laterza - Silvio d’Amico – Storia del Teatro – Garzanti - Oscar G. Brockett – Storia del Teatro – Marsilio Editore - Autori vari – scenografie di Pietro Gonzaga – Neri Pozza - Autori vari – Disegni teatrali dei Bibbiena – Neri Pozza - Autori Vari – Teatri e Scenografie – TCI - Luchino Visconti – Il mio teatro – Cappelli editore - Fabio Battistini, Giorgio Strehler – Gremese Editore - Zeffirelli, l'arte dello spettacolo, opere di pittura scenografica – edizioni De Luca - Lila de Nobili – Teatro Danza Cinema – Amici della Scala 2014 - Piero Tosi, costumi e scenografie – Leonardo arte - Damiani, de Nobili, Tosi scene e costumi tre grandi artisti del XX secolo – Skira - Maria Ida Bigi, Il teatro di Pierluigi Samaritani, Fondazione Giorgio Cini – Venezia - Lorenzo Arruga – Pier Luigi Pizzi – Allemandi - Caterina Napoleone – Paolo Tommasi , alla ricerca dell’armonia – Edizione Polistampa - Giuliana Ricci – Duecento anni di Teatro alla Scala – La scenografia – Grafica Gutemberg Editrice - Stefano Maso – costumisti e scenografi del cinema italiano – Istituto Cinematografico dell’Aquila – Lanterna Magica - Caterina d’Amico de Carvalho – R.Renzi – Luchino Visconti Il mio Teatro – Cappelli - B. Villien – Visconti – Vallardi - Enciclopedia illustrata del costume – L. Kybalova – Edizioni Illustrate Accademia - Mila Contini – 5000 anni di Moda – Arnoldo Mondadori - La Moda – storia dal XVIII al XX secolo – Taschen |